A Beautiful Write-up from StarChefs!

I know I've neglected this blog for many months (and possibly years...)  But, suffice it to say that I've been working!!!


And here is the proof!  Please enjoy this article I could not have put any better from StarChefs about a pairing I did for Bouchon Beverly Hills:


http://www.starchefs.com/cook/wine/crush/top-pair/bouchon-los-angeles

The Bar Featured in USA Today

Bartender Allen Aram and I had a little fun with USA Today this week making some cocktails.  We chose a couple of my favorites from the bar program to share.

Enjoy:

http://www.usatoday.com/videos/travel/hotels/2013/02/14/1920427/

A Vertical of Cheval Blanc and Ausone

(This post is dedicated to my mother who has been complaining about how I am not keeping up with this blog anymore.  As much as I try to explain how being the only beverage guy in a world-famous hotel might not offer a lot of free time, she doesn't seem to get it...)

I was fortunate enough to be able to facilitate a power lunch featuring an impressive vertical of Cheval Blanc and mini-vertical of Ausone yesterday.  The opportunity to taste such great wines comes along somewhat frequently, but not always in tandem.  I took a few minutes after the event to jot down some comparative notes for the archives.  Here were my thoughts:

1998 Ausone:  Lots of dark currant, dark cherry and cedar.  Tobacco leaf with an interesting touch of olive and pepper.  Youthful, but drinking well.  The Cabernet Franc notes are very pronouned here in the effusive leafiness and palate prickle.  Definitely in need of more time to really show its stuff.

2001 Ausone:  Brighter cherry flavors with much more pronounced fruit than the 1998.  The Merlot shows more dominant here with a plush texture prevailing.  Nice forest floor undertones.  This drinks very well today.  It's not wildly complex, but I really enjoy this for the elegance it shows.

2002 Ausone:  Truffled aromas with red fruits.  A great blend of all the elements from both the 1998 and 2001.  I think this finds a nice through-line with the plushness of the Merlot and the herbal tickle from the Franc blending very well.  Very drinkable and showing lovely layers of complexity.  Some chalky tannin as well.  This was my Ausone of the flight, though others may disagree.

2003 Ausone:  Almost New-World plushness and spice.  Not overripe, but you can certainly feel the warmth of the vintage.  A more forward style that some others really gravitated toward.  Seemingly stronger dollop of new oak that shows in a blast of vanillin on the finish.  Some grip.  Delicious wine, but a little more superficial than I'd hope for.

1982 Cheval Blanc:  Layers of interesting components here both on the nose and again on the palate: tobacco, black olives, mint, earthen tones, mushroom, red fruits - pure Bordeaux.  A silky texture that caresses the palate.  Still has some tannic grip to it, even.  Layered and complex with a good deal of life left to it, methinks.

1990 Cheval Blanc:  I'm not entirely convinced this wasn't a somewhat "off" bottle.  It showed a little porty and weird when I first opened it, but it did find some more balance by the time I took these notes hours later.  A more forward style with very vibrant, and almost sweet, red fruits and spice.  Seems a bit more fruit-driven than it has earth to give.  Very rich and perhaps in need of more time, yet this bottle doesn't really have a whole lot of tannin to shed.  Hard to say about this one...

1998 Cheval Blanc:  Youthful and dark, but with very vibrant acidity.  Definitely some grippy tannin here.  Silky texture with some of that Franc prickle.  Primary right now, but you can taste the potential.  At this moment, a little underwhelming, and particularly in this company.

2000 Cheval Blanc:  Rich, plush and spicy.  If the 1998 was silky, then this one is pure velvet.  Gorgeous black cherry at its core that bursts with freshness.  This wine walks right up to the line of being too ripe, but then grabs you by the part of you that enjoys that hedonism and makes you love it.  She's a little slutty, but you're single so it's okay.  This is very impressive and has great balance in its power.  It will be very interesting to see this evolve.

2001 Cheval Blanc:  Nice fruit, but more of a cool vintage representation.  Silky texture here again, with some stronger Franc notes.  This is good, but wildly underwhelming in this flight.  Would probably be a nice wine in its own right at the table where it was the star.  I wouldn't run out myself to grab any for the cellar, though.

2005 Cheval Blanc:  Super young.  But loads of potential, of course.  Rich, dark and controlled fruit.  Many of the same elements and similarities to the 2000, but they're subdued in the youth.  Hiding under the surface.  Very well put together and even drinkable now, but certainly in need of much more time to really show.  Interestingly, it shows a candied cherry aroma on the nose that's fun. 

We wrapped everything up with a 1947 Caillou Barsac that was interesting.  A very off-putting nose, however.  Some dried honey, orange peel and toasted almonds show through.  Somewhat like a tawny Port.  More pleasing on the palate: sweet attack with citrus, honey, dried molasses, burnt espresso and a Sherry-like salinity.  This was interesting to taste, but I wouldn't really go chasing after it.

The First Dagueneau

A typically lazy Sunday at home brought about another visit to the sun deck for some wine and burgers.  The intensity of operating a hotel beverage program necessitates a lot of self-reward on the weekends.  With the amount of truly great wine that we taste in the course of an evening, it sets the bar pretty high when pulling wines from the home cellar.

On this day, I was feeling the Loire Valley.  I, to this date, had never had the opportunity to taste a Didier Dagueneau wine either at any of my employments or at home.  I had bought a few over the years and just never made the time to open one.  Perfect weekend reward opportunity!

I grabbed the Dagueneau "Pur Sang" Pouilly Fume 2007 from cold storage and we were off!  As I was opening the wine, I was telling Kara the story of how Didier died in a plane crash in 2008, ending his 26 years of wine making where he was an icon in the Loire.  This would have been the last vintage he had total influence on.  I took my first sip and noted the refinement and balance.  Expecting some kind of revelation, I was a little let down.  This was a delicious representation of Sauvignon, but lacked the pizazz and raciness that I love from the Loire.  Perhaps a little too old?  Maybe it's the style?  There was plenty of minerality and life, but it lacked a hook for me - especially at $100 retail for Pouilly Fume.  When I told Kara how much this bottle cost, her jaw dropped.  Literally...  While I enjoyed this long awaited tasting, it left a little to be desired.  There's a bottle of his "Silex" down in my cellar that I'm itching to open now in hopes of the revelation.  We'll see...

As Bond is Kara's favorite California winery, and we have a history of drinking it with hamburgers, I thought we'd revisit the pairing.  The Bond "Matriarch" 2006 is still showing beautifully with a long life ahead.  Rich, extracted dark fruits that show lovely balance.  Great nose of violets, oak, anise and black currants.  This is hedonistic and controlled at the same time.  Great at cellar temperature, but it got a little tiring as the sun was beating down on the decanter after a while.  This continues to be a great value in the cult Cabernet forum if you can find a good price on the secondary market.

A Visit to Moraga Winery in Bel-Air

Whenever one is travelling, it always seems appropriate to try the "local wine". On our honeymoon in Tuscany, Kara and I drank more local carafe wine than we can recall. In St. Lucia, we drank the local beer and rums. So, what happens when you visit Los Angeles...? Is the local wine from Napa? Is it Santa Barbara? Or the lesser known Temecula? Or could it be that there is a fully-functioning winery right in the heart of Bel-Air in Los Angeles itself?

Here's a quick video.  It's the only way to really understand how cool walking into this place is:

One wonders how this is even possible, given the price of the land in Bel-Air, the climate (including all the smog), and just who would even bother. It's a testament to Tom and Ruth Jones (not the singer...) and their vision to create Bordeax-styled wines right in the heart of LA. With vines planted in the late 1970's on a property originally built as a horse ranch, they began a fascinating journey to create world-class wine in the least likely of places.

I've visited Moraga once before and have always counted it as one of the most interesting winery visits I've ever experienced. Walking off a Brady Bunch-style residnetial street on to an oasis of hillside vineyard is miraculous. I had to drag Kara there with me this time so she could see it herself. I think she was just as impressed. It's a rare treat to be able to step foot on the property. It rarely is open to the public and invitations are scarce. Both times I have been now, someone always says, "oh - you're so lucky..." This walking tour of Moraga Vineyards featured four vintages of their "Red Wine" and two vintages of the "White Wine". Both are classic Bordeaux blends from the 16-acre estate. At tables set up throughout the vineyard, the staff began the flight:

The 2010 White was nicely balanced, but falls into what I call "CASB" syndrome (California Sauvignon Blanc Syndrome). It's good, but lacks minerality and any particular kind of character. Not much of any one thing, it shows some citrus, some melon, a touch of green, and is an easy drink, but has no particular hook. The 2004 White, with a bit of age on it, though, showed much more Bordeaux character (surprisingly so!): the light grassiness shines through with lemongrass, citrus, lime pith, a touch of soft spiciness and orange. Reminds me very much of white Bordeaux and has an intriguing earthiness. Most producers trying to make white Bordeaux in CA have a tendency to make the wines to ripe, rich, lanolin-y and WAY to oaky. I really enjoyed the restraint here and the way this is holding up.

I have traditionally not been a fan or Moraga wines, for reasons expressed in the 2008 Red: a very green character marked with tart red fruits that are far too light. This is an intellectual's wine and probably many of those people would not be interested in doing more than tasting this wine. I don't recall the weather here in LA in 2008 (likely because I was busy getting married), but I suspect it was cooler than usual. On the other side of the coin, the 2007 Red expressed much more ripeness and a friendlier character. Lots of spicy red fruits with a nice balance and a light hint of that herbal tone that seems to provide Moraga's Bordeaux-like earth. I would be more prone to add this to a wine list for drinking today. Lots more generous fruit and decidedly more for the American palate. I did also enjoy the 2006 Red which had a minty aroma, more dirty earth tones and a heftier chocolate character on the palate. Chalky tannins add texture. I found this had a stronger earthen profile, but matched with some of the ripe red fruit found in the 2007 as well. A nice compromise between the two later vintages. And a clear argument made for the fact that these wines are made for aging, which was completely exemplified by the 1996 Red poured last. The 1996 tasted like an aged St. Julien: Leafy tobacco and jalapeno pepper on the nose, bright red fruits and ash, well-integrated earth, oak presence, drinking at its peak and very impressively at that. I am pleased to say that we have about a case on the Hotel Bel-Air's list that I will be talking about often in the coming weeks.

Standing atop the vineyard and looking across the 405 freeway to the Getty Center was a special end to the tasting. Moraga is an amazing property and a special place I have rediscovered in Los Angeles. And our neighbor, committed to truly allowing me to show the "local wine" to our visitors at Hotel Bel-Air. We have a selection of Moraga wines from 1990 through 2001 available and I am very excited to start the journey of introducing them to our guests.

A Duo of Domestic Roses in the Desert

My folks are in town this week. I took a little break from the madness of Los Angeles to brave the madness of Coachella and it's wake in Palm Desert. The weather is amazingly comfortable this weekend and having a seat in the shade couldn't be more wonderful. Our room wasn't quite ready when I pulled up at the JW Marriott, so I popped the cork on some rose as I sat in the front seat of the car (parked, of course), listening to Keane and enjoying the fresh air with the windows down.

I couldn't wait to try the first vintage of Liquid Farm's Rose 2011. It's a Bandol-inspired, crisp and refreshing rose that I don't think I'll be able to keep my hands off of this summer. A mere 100 case production of Mourvedre from the Vogelzang vineyard in the recently announced Happy Canyon of Santa Barbara AVA, it is everything one could want. At a meager 12.5% alcohol, it sports under ripe strawberry, pomegranate, orange rind, crisp acidity, a sensed meaty aroma mixed with fresh Gardenia, and Fleur de Sel which adds a fascinating savory character. Once we got in the room, I broke out some cheeses and prosciutto. This rose was smokin' with the food! Especially the prosciutto! The salinity of the wine with the cured meat was astounding. You'll likely never see this wine on the market, but if you contact the winery, you might eek a couple of bottles out of them. It's worth it.

Another favorite from years past is the Soliste "Soleil Rouge" 2011, a rose of Pinot Noir from Sonoma Coast. His Pinots are awesome and the one vintage of Syrah he has produced thus far is profound, but his roses are also very special. This vintage is beautifully ripe and friendly with peach skin and red fruit aromatics. On the palate, ripe strawberry, cherry and apricot come through with green apple skin. It's beautifully crisp, but a lot rounder and more crowd-friendly than the Liquid Farm. The food draws out the citrus tones and kills the fruit that is so endearing a,bout this wine. I prefer this wine if I'm not eating. The Liquid Farm fares better with some fats and salt.

I love the rose season. Here's to hoping that the market demands some rose wines this year. I'm very excited to introduce some people to these two fascinating new wines.

The Holy Sh%t Moment

A random Thursday at the restaurant produced some very exciting wines. And, more importantly, one of those elusive moments that every sommelier seeks: a wine that grabs you by the shoulders and makes you take notice. Working a full dining room doesn't always offer the opportunity to take detailed notes, but I reserved a few minutes at the end of the evening to intellectualize and marinate in these wines.


Having just brought some of the 2009 Ramonet "Le Montrachet" on to the wine list, I was very excited to have the opportunity to taste the 2001 Ramonet "Le Montrachet". On the nose, it exudes lemongrass and ginger making me crave some coconut milk soup. Also, lots of toasty oak and minerality. The Asian flair continues on to the palate with crisp lemon, baked apples and creme brulee. The oak dominates in the finish, almost to a fault. Although, diving in for another sip makes it all better... I found this to be more interesting than profound, but it was holding up well and would certainly not scoff at it.

A side-by-side of Forey "Gaudichots" Vosne-Romanee from 2004 and 2005 was also interesting. The premier cru Gaudichots vineyard is sometimes called "baby La Tache" as it is directly next door and, in part, owned by DRC. With a miniscule production of about 1500 bottles a year, it's nearly as hard to get your hands on as La Tache. The 2004, a vintage which I find is showing better now than '05, was overrun on the nose with scorched cedarand smokey tobacco. Black cherry also figures in, but masked by the wood. On the palate, a stronger fruit presence including blackberry, black cherry, iron, more cigar box and dark chocolate on the finish. A little out of balance overall, but nice for an average vintage. The 2005 was a bit closed in on the nose, which seems typical of the vintage these days. On the palate, much darker fruits than the '04 with black cherry, blackberry, very strong iron and mineral components. Much deeper, much darker and more animalistic with strong soy and mushroom broth tones. Both of these wines are in need of some more time in the bottle.

Another side-by-side of Burgundy brought the Cathiard "Romanee-St.-Vivant" 2003 which I found to suffer from the overblown character of the vintage. Floral and slightly volatile aromas that one taster noted as cheese. I thought it was rather offputting, personally. Better on the palate, the rich (almost jammy) red fruits came across as rather baked. An almost new world-y character, I was underwhelmed. But before you think I'm just a snob about the 2003 vintage, I must sing the praises of the Liger-Belair "La Romanee" 2003. Liger-Belair, richly steeped in the history of great Burgundy, has been out of public consciousness for a long while, but with their monopole of "La Romanee" is coming back with a vengeance. Even in 2003, this seamlessly balanced wine effuses mushroom, cedar and red fruit aromas that hinder you from sipping because you can't bear to stop smelling them. The balance on the palate is every bit as amazing: Ripe (but controlled) cherry and strawberry jam, pomegranate, and earthen tones that add complexity to a plush, hedonistic, but still typical Burgundy-style. There is also a savory character; dare I use the word umami? I wouldn't call this wildly complex, but I would be incredibly happy to drink this all night.







And finally, the moment I spoke of at the start of this rant:









For years I have tasted Screaming Eagle on someone else's dime and, even having not committed any money to experiencing it, always wondered why people pay the price for it. On this night, it was thanks to the 1995 Screaming Eagle that I have tasted the best California Cabernet Sauvignon I have ever had the pleasure to taste (to date). I have heard it said that Screamers are the Pauillac of California, but this is the only occasion on which I felt it lived up to the comparison. Aromas of graphite, cedar, cigar box, black cherry and currant are all deftly intertwined. They are dark and light at the same time, and dusted with the faintest hint of crushed sage. On the palate, it is rich, but not weighty or thick. Bordeaux earthen characteristics that are often missed in New World Cabernet. This is right in its window but no where near falling off. A perfect balance of fruit, earth, wood and acidity which feed each other in a reciprocal "give and take". The finish is long and driven by the refreshing acidity.

I often tell the staff that I am bored by California Caberent. That all it really does is show varying degrees of ripe fruit and oak with no minerality or earth to speak of. Basically a matter of how ripe and oaky do you want it? On this day, I stand completely corrected and humbled at the hands of Heidi Barrett, who I have always claimed to be a fan of, but never been a collecter of her wines personally. If anyone wants to part with any '95 Screamer at its release price, give me a call...